Current Project: Political Posters and Pan's Labyrinth

I just returned from another successful stint as a teaching assistant for the Princeton site of Johns Hopkins' Center for Talented Youth. Juniors and seniors in high school spend three weeks delving into a subject-- in the case of my students this summer, it was Politics and Film. I organized an activity that I was really excited about, but we ran out of time to do it-- so what better way to bounce back than to share it with you? 

The Faun. Via fandom.com.

This activity is designed to supplement a viewing of Pan's Labyrinth (minor spoilers for the film within). The film blends fairy-tale fantasy with the brutal realities of Francoist Spain in the 1940s, as a young girl attempts to escape living with a brutal stepfather who is a fascist captain through undertaking tasks set for her by a mysterious faun. The film features a plethora of disturbing and/or beautiful fantasy images, including creatures like the Faun, the Pale Man, and a Giant Frog. 

The Pale Man. Via fandom.com.

Giant Toad. Via fandom.com. 

For this activity, I wanted to encourage students to make connections between the creatures found here and anti-fascist artwork of the period the film depicts. Additionally, I wanted to give them the opportunity to practice visual analysis, both in terms of semiotic meaning and historical significance. 

First, before the film, I gave them a bit of historical context on the Spanish Civil War-- what the sides were, what they were called, basic events and timeline that might be useful to them in both seeing the film and doing the activity later. We had also done some discussion of semiotics and image analysis. 

Steps: 

1. While students are out of the room, print and hang up the following posters: 

Five posters featuring political caricatures. Captions and original images at Brandeis. 

2. When students reenter the room, encourage them to move about the room examining the posters. 
3. Ask students to work together in small groups or pairs, using their devices, their lecture notes, and their knowledge of history and semiotic analysis to interpret the images. What does the artist mean to convey? What sorts of attributes do these posters criticize or encourage? Do you think the artist promotes Republican or Nationalist ideals? 
4. After giving groups time to discuss and iron out their answers, come together as a large group and discuss their findings. 
5. Compare these images with your memories/still images of the film Pan's Labyrinth. Does the film use similar imagery? Promote similar ideals? 
6. Share information about the artist, found at Abraham Lincoln Brigade Archives (.doc download).  

If time had allowed, I would have liked to pair this with a disability studies reading about readings of the body, though I have not determined what that piece might be-- any suggestions are welcomed! 

Enough About Me: Teaching Without Teaching

An empty classroom.

While (crankily, reluctantly) sitting down to figure out what to compose this blog post about, I just desperately resorted to making a list of all the teaching related things I'd done this semester. While I was doing so, I realized that this semester served as an interesting reflection of a subject I am theoretically already supposed to be brainstorming about: ways to improve your teaching even while not teaching. I touched a bit on my intention to do so in my New Year's post, so we might as well check up on how I'm getting along!

In the history PhD program at UIUC, we often have the opportunity to teach quite a bit. However, many programs don't have such options-- because they have fewer undergraduates, different department cultures, etcetera, and even here there are people who end up only teaching for a year or a semester during their degree. So how does one accrue teaching experience-- you know, that little thing that is likely to make up a portion of many jobs one gets with a history PhD? How do you write a teaching statement if you haven't taught much and haven't had the opportunity to develop a practice-based teaching philosophy? These things I only came to after teaching, to know that they were useful and would have been useful even if I hadn't had the chance to teach, so I hope that collecting a few suggestions here will be useful to those of you who may be wondering about these questions.

First, times without teaching can be a great time to work on requirements for whatever teaching-related certificates you may be eligible to get. I completed my Graduate Teaching Certificate this semester, in part because I finally had some time to look through old evaluations and notes and write the reflections required. However, the Center for Innovation in Teaching & Learning has a variety of other certificate options which require less teaching, so look at your local offerings-- you may be able to get a teaching certificate based on study of pedagogy even if you don't get the chance to put theory into practice during your career as a student.

Non-teaching semesters and summers can also be great times to attend lectures or join in discussion groups or workshops on teaching. In a very on-brand move, I participated in our department's Reacting to the Past workshop, both as a panelist talking about my experience implementing the pedagogy and as King Louis XVI in a quick round of the French Revolution game. Many workshops such as this are available to you whether you have plans to teach using the techniques or not-- it’s a great way to learn about things that at best, you may want to incorporate into future teaching, and at worst, you may benefit from being familiar with in a conversation or interview.

I also had the opportunity to aid a few professors this semester by filling in for them in leading class or doing some extra grading. Others I know have had success with taking part-time work grading remotely for courses at other institutions. Again, this is a more comfortable role if you have taught before, but if you have the opportunity, activities of this sort can develop your comfort with speaking to strangers and making grading decisions, with the added benefit of feeling less momentous-- after all, you are setting dynamics for one day, not the entire semester, so the stakes are lower; if you're grading students you are not personally acquainted with, it can be easier to take one piece of work and evaluate it.

I'm carrying my teaching practice into the summer by returning to the Center for Talented Youth in June. This is another handy way of getting teaching experience-- seeking opportunities with high schoolers either locally (Urbana High School, for example, is often looking for tutors) or through programs like CTY. 

I mentioned above that I'm supposed to be thinking about how to practice/improve teaching while currently without a teaching position; this is not just due to my resolutions but also to a recently accepted roundtable I've organized for the 2020 American Historical Association meeting. I'll plan to speak more on this topic in this graduate teaching roundtable, so if you're attending, I hope you'll stop in.

How do you work on teaching while not teaching? I'd love to hear in comments. 

Enough About Me: What is True Commitment?

Me expressing my enthusiasm for my TU MA in history by reading my thesis atop the sign, 2014.
Photo by Arley Ward.

If you know me very well, you may know of my extreme affinity for my alma mater. I spent five years there, entering as a freshman who thought I might "want to write, maybe;" who had no idea what the difference between a master's and a PhD was; who struggled to afford application and test fees to get into college in the first place. I left Tulsa with bachelor's and master's degrees in history and admission to a PhD program at an R1 university. I say this not to brag but rather to give a sense of how the experience changed the possibilities I had-- how it allowed me to envision myself as a person and a scholar.

As I've gone along the path to PhD, I've often envisioned returning to the University of Tulsa or someplace like it. I loved the small department, the dedication to teaching, and the support I received from faculty and fellow students while I was there (did you know my advisor met with me every week during the last year of my masters and read whatever I was working on?) Every department has its conflicts, of course, but I admired my professors at TU for the passion they brought to their research and teaching, and I wanted one day to be their colleague.

So it hit me hard when, on April 11, TU announced a restructuring they're calling "True Commitment" (insider tip: they love starting things with the word "True"; it's part of their "brand.") The proposed plan, which you can read all about in the administration's words here and in more critical words here, basically involves cutting a bunch of programs and smooshing departments into interdisciplinary megaglobs in support of the "professional super college" the administration wants to create. Closer to home, among the programs slated to be cut is the History MA, without which my life would look very different. The program not only set me on a course I'd never anticipated; it also served as a powerful symbol of my achievement. The degree was meaningful to me and to my colleagues-- so much so that I and my friend Arley Ward, fellow MA graduate and Doctoral Candidate at the University of Arkansas, Fayetteville, did a photo shoot around campus with our master's theses.

Duncan and Ward having one last coffee in the library cafe, 2014. Photo by Arley Ward. 

There's a lot of useful critiques and great organizing going on in opposition to this plan (which could use your help-- see this petition and this list for descriptions of the plan and quick, easy action items). The language in both of the links above notes the lack of transparency and participation of many student and faculty voices (other than a handpicked few) in the process being a problem, which it certainly is; inconsistencies and vagaries in the plans proposed; the speed of the process seeming hasty for the review of as many departments as the committee was tasked with reviewing. However, for this post, I want to pontificate a bit: about the assumptions surrounding first generation students and the pitfalls of the language of "practicality," about the role of larger trends of higher ed being evoked by this, and about my own disappointment with this turn of events. 

In his piece for City Journal, TU philosophy professor Jacob Howland noted that "At his first meeting with TU faculty in late 2016… Clancy announced that he was turning the ship around: we would now focus on recruiting first-generation college students and offering them job-ready programs." Perhaps because of the obvious problems with messaging-- the university is going to make money by recruiting broke students?-- The Academic Strategy for the University of Tulsa brochure announcing True Commitment does not rely on this language, in favor of veiled and value-laden terms-- the new focus is "professional, practical," (3) "high-touch," and involves something unsettlingly referred to as "secret sauce" (5). It's mystifying to this first generation college student, who found in college a way to interpret her experiences as well as simply learning a trade (in my case, research and writing). If this is an attempt to reach out to first generation students, it undersells what we are capable of and what we are interested in. If this is not such an attempt, it leaves us in the lurch anyway. 

So, what is True Commitment? What does it mean? Who is it for? It seems clear that higher education is broadly afflicted by an administrative obsession with simplistic, neoliberal approaches to reforming how we think about and practice "college." Higher education was never perfect, historically dominated by the powerful and privileged, but the modern solutions seem designed not to reform the intellectual system but to further entrench its inequities by claiming that it is not practical for those without money to think deeply; that the study of the arts and humanities is best left to those who are independently wealthy or parentally supported. "True commitment" is what I had to the institution that taught me who I am, and who I could be, in the most significant, shaping five years of my life. True commitment is what every faculty and student org on campus who has taken up the issue has shown when they voted against it. If this reorganization occurs in the way it has been planned, that commitment will be broken-- I'll have no reason to support, speak highly of, or donate to the institution I've cared so deeply for-- all things I've done or aspired to do. I hope that institution remembers the worth of that sort of commitment, and shows the same to all of us. 

Related Links:
Anyone can sign this petition opposing the "True Commitment" changes. Every signature helps!
A useful piece from 2000 on "The Neo-Liberal University" from New Labor Forum, which focuses more on the role of public universities but is interesting nonetheless. An evocative snippet: "the fundamental roles of public higher education, including providing increased upward mobility for underserved populations, have been displaced by the economic role of serving corporations' global competitiveness."

Reacting to Reacting: Selfish Reasons to Become a Gamemaster

Dice, or, as I like to call them, "contingency enhancers." 

There are some great reasons to teach a Reacting to the Past class. Many are pedagogical-- it awakens students' interests, forces them to exercise unfamiliar skills, and introduces the idea of contingency-- that things could have turned out differently than they did. 

However, there are also a few purely selfish reasons you should consider it. I recently had the opportunity to reflect on these in an effort to encourage interest in an RTTP workshop in our department, so I'll share a few of my favorites: 

1. It is an instructor-friendly way to teach a stand-alone for the first time. You have some built-in scheduling provided; rather than crafting daily plans for an entire semester, your syllabus only has to figure out how to weave together the schedules for the games you've chosen with preparation, reflection, etcetera. This can still be challenging, no question-- but sometimes, a few limits on what you have to fit into a semester can help you prioritize what's remaining, or provide a framework into which you can slot other things in. 

2. It allows you to say while on the job market or applying for teaching-related awards, etc, that you have experimented with innovative pedagogies. Even if you conclude that you don't like the system, you'll come out the other side with plenty of ideas about what sorts of things worked and which didn't-- ideas which will help to inform a teaching philosophy.

3. It develops your teaching abilities in unexpected ways. One example: I became much more comfortable with periodic silences in the classroom. One of the hardest things to learn about teaching is to be comfortable with silence as you wait for student responses to a question or discussion topic. Instructors during an RTTP game often sit in the back of the room as class is run by a student playing the role of an authority. You'll have ample time to develop a relationship with waiting patiently for students to find their own answers. Later, in a more conventionally organized class, I received positive feedback from an observer on my willingness to let silence happen in the classroom. 

If you've used or played Reacting games in your courses, what did you learn from it? If not, what questions do you have about ways it can benefit you personally?

Related Links: 

An explanation of the Reacting to the Past concept, from the Reacting Consortium. 

A few U of I folks (including myself and some of my students) discussing Reacting in a brief video. 

Plug and Play: My Approach to the Lesson Plan

Here is a confession from me: I am repeatedly skeptical of things and then, eventually, adopt them wholeheartedly. Here is a partial list:

• Asparagus
• Exercise
• Southwest Airlines
• Budgeting
• Casual gaming
• Savings accounts
• E-books
• Looking at the weather before you leave the house
• Bran
• Going for walks
• Rubrics (more on this another day)

So it should come as no surprise that I have come to appreciate the wonders of the lesson plan. Because there’s a variety of approaches to lesson planning, I had trouble figuring out what the point was in my early days of teaching, especially while TAing, in which many of the decisions about readings and course structure have already been made for you. So although I dabbled in the creation of lesson plans while I was a teaching assistant, they were generally brief lists of questions and activities scribbled on a piece of scrap paper on the way into my section. We read the reading; now let’s talk about it! Simple.

The year I taught two Reacting to the Past courses was similar in some ways— the structure of the games is either planned for you in the book or run by the students, so there are comparatively few days for which a lesson plan is useful. It wasn’t until my Fiction and the Historical Imagination course that I became infatuated with the lesson plan, and although I fell off the wagon a few times as the semester stretched on, I used a particular strategy to great effect. 

Here’s an example of a week of lesson plans from the middle of this course:

Let's take a walk through their components.

Up top: the week and day, to stay on track. Then, the purpose: what is the goal of the day? I’ll admit to being less than enamored with too much agonizing over long lists of objectives, but I find it really useful to have a straightforward statement of what we should be aiming for by the end of the period.

Then, a time breakdown of each step, beginning always with five minutes at beginning and end for hellos, roll, housekeeping, etcetera. This is great for reminding you that in fact, a fifty minute class often ends up being much less because of the small tasks that have to be done before one can start the film, begin the quizzes, or instigate group discussion. Likewise, it encourages you to think about the real factors that may delay your plans. If you are going from a lecture to assigned groups, how long will it take the class to move from A to B? If you allow for that in your plan you’ll save yourself some grief.

As I lay out each segment of class, I like to include both the length of time allotted to each and the time of day it should be at the beginning and end of that segment. I don’t follow this exactly while in class, of course— there are a million reasons why you might choose to follow a rabbit trail of discussion or allow a bit of time to review a reading that will throw you off of this path. But including both allows you the flexibility to go off path and then to see exactly how far off you are and make quick decisions about how to handle it.

As I mentioned above, I always end with at least five minutes for reminders and other housekeeping. This is useful to both students and instructor because it allows for checking in about ongoing or upcoming assignments; it also encourages you to end class on time, which I consider a mark of respect and professionalism.

Perhaps the most important thing about the lesson plan is that I print the plans for the week — even if unfinished— at the beginning of the week and carry them around. Then as I am leading class, working on other things, or reviewing course readings, I can write in changes or additions to future days. I also sometimes annotate them while class is ongoing, noting how I diverged from the plan. I still have a stack of lesson plans from last semester; I plan at some point to update the files using my annotations to use again for future courses.

Do you lesson plan? What things do you include or leave out?

Related links:

Some other approaches to lesson planning at The Chronicle of Higher Education and Algonquin College.

If you're interested in learning outcomes and objectives, check out the National Institute for Learning Outcomes Assessment.

Flashback Post: Because You're Mine, I Walk the Line

In honor of the anniversary of the 2018 strike of the Graduate Employees' Organization at UIUC, I'm reposting my piece on it from last year. In the past year, we've seen incredible numbers and incredible results from teachers' strikes, and I continue to believe that one of the best things we can do for education-- no matter what our connection to it-- is to support the labor rights of those who deliver it. Even Miss Othmar agrees. 

Graduate workers marching during strike, surrounded by bubbles. Photo by Jeff Putney.

As you may know, the Graduate Employees' Organization at the University of Illinois at Urbana-Champaign is currently on strike (at eight days and counting, the longest in UIUC history). There have been a lot of beautiful letters and posts floating around about the strike, making articulate and reasonable arguments in favor of protecting tuition waivers, raising graduate wages, and making clear to the administration their dissatisfaction with their unwillingness to bargain with graduate employees. I myself did the opposite last week, canceling my usual weekly post both in solidarity with the strike and to give myself more time to participate in pickets and rallies. This week, I want to jot down just a few messy reflections on the possibilities for learning that the strike has presented (while encouraging you to also read some of the cogent arguments in favor of the GEO presented in a variety of places like the Undergraduate-Graduate Alliance and the fine folks on Twitter.)

Most obviously, the GEO strike has presented a lot of opportunities to reevaluate the value of graduate labor for people at all levels, even surprising graduate workers themselves. I know the value of my own labor, but did I know about the ESL courses that every international student is required to take under the guidance of graduate workers? Not before last week. Undergraduate allies of the GEO are reflecting on the role that TAs and GAs have played in their own coursework and highlighting these experiences in letters to the provost.

For me, the strike has also sparked thoughts about labor history and the way we teach it. US history courses often cover the labor movement, and for good reason-- as we are wont to say, their efforts in the late nineteenth and twentieth centuries changed the landscape of work in this country (at least, I am wont to say so). An eight hour day, a weekend, restrictions on child labor, a living wage, workplace safety-- all things that the labor movement envisioned and made real. We do a lot of activities designed to highlight this contrast-- reading John Spargo's observations of child laborers and their dismal working conditions. We emphasize the differences in various union ideologies, bringing up a lot of unions with a lot of acronyms, like the IWW and the AFL and the WTUL and maybe even the ILGWU if we get really rowdy.

What most of us haven't explored so fruitfully-- what is hard to approximate in the classroom-- is the mixed emotional bag of labor activism. The strike has brought on for me an appreciation of how complex the decision to strike is-- both dreaded and celebrated. It has highlighted the spirit of joyfulness that the strike brings, and that as it goes on, you become closer to those around you. When teaching strikes and unions, I had been painting a picture of iron-jawed determination, but what I've seen in the past week has been more lighthearted-- a determination to win, yes, but also a celebration of community. I've heard this newfound appreciation of community from many people this week, and I've said it myself-- "This might sounds cheesy, but all that solidarity stuff-- I get it now."

It also takes you outside of yourself a bit. I saw a pretty apt sign last week that said something to the effect of, "Things are so bad even the introverts are out here!" The person that you are on the picket line, shouting chants and encouraging strangers, is not the person that you are every other time of your life, when you fear talking to other people or just wish you could go to your office without seeing anyone. Most weeks, I avoid campus when I don't have to be there-- last week, I was there every day.

I have never been able to get this sort of worldview-altering enthusiasm into my discussions of labor history, because I didn't really know it myself. The discussion is about that iron-jawed determination I mentioned above-- the ideals of Marxism, the rational reasons why one would want to work a manageable number of hours or have their children attend school instead of picking coal. I've never focused on the community building of unions and strikes, the human motivations of union leaders or members. Even the Greenwich Village game, which approximates so many lived experiences and ideas well, also fails to get across this experience of the labor faction-- its focus is on ideals among bohemians, not engagement in actual labor activism. How much more sense do the various enthusiasms of Leah Schwartz, Big Bill Haywood, and Elizabeth Gurley Flynn make when you've actually seen a strike in action?

So, one of the nice things about this strike, in addition to the solidarity it has fostered, is the insight it can offer not only into our present but into labor history for teachers and students alike. I like to think that the next time I walk into a classroom on this campus to talk about unions and labor, there will be a great deal more familiarity with these concepts among my students, and more appreciation of who exactly it is who organizes, strikes, pickets, and makes change throughout history-- people very much like us.


Related Links:

Title Talk-- I Walk the Line
A few links on the GEO strike: News-Gazette, Socialist Worker, Chicago Tribune, Daily Illini.
For the monetarily inclined, a link to the GEO Strike Fund.

Enough About Me: The Power of Tangents

A winding road. We'll get back to the point eventually!

I found myself on a tangent while teaching last semester. Perhaps it was because the conversation was a little slow to start, but I was talking about something and it made me think of Martin Pernick's work on anesthesia and the debates surrounding its initial use. I mentioned this-- talking about how there were moral concerns about using anesthesia as well as practical safety questions. Was it right for people to avoid god-given pain? Would patients be subjected to immoral treatment from doctors if they were not awake to advocate for themselves?

As I talked about this, it was as if a light went on.  Although everyone hadn't exactly been ignoring me before, they were now attentive in a different way. They laughed a bit at the unfamiliarity of the idea, about its seeming irrationality. 

In that moment, I realized that I tried to rarely diverge from the point. I also realized that perhaps it was a mistake not to diverge a bit more often. With a rush I remembered one of my favorite undergraduate professors throwing out the phrase "if you want to know more" every now and then, when a book came to mind or a topic seemed too big to tackle at the moment. I didn't always follow up on those recommendations, but the moments represented something larger to me-- the excitement of a wider world that I knew of yet. Those divergences didn't just break up the rhythm of a typical class section, although sure, they did that too. They also represented the wealth of knowledge that one could be interested in. It showed my professor's passion for a grand variety of material I had never even begun to consider.

In the past I have avoided digression as much as possible because I have been afraid of totally losing the plot, or of droning on and boring everyone. And that's definitely a potential to worry about-- we only have so much time in a fifty-minute class. But this experience taught me that a well timed, well chosen digression can rejuvenate a class, and perhaps suggest that even if they are not currently consumed by the intellectual debates in front of them, there may be things out there they have never considered being interested by before. 

Do you take tangents? How do you know when to cut them off and when to let them grow? 

Related Links:

If you want to know more, a review of The Calculus of Suffering.

Some nitty gritty discussion about digressions in relation to English for Academic Purposes (EAP).

What's History: Little Local Sources on Big Cold Days

This is it, the Big Cold Day. We've been talking about it for a week. As predicted, Midwestern temperatures lost so many degrees it seems like sheer irresponsibility; the wind chill has it feeling like -40 F outside in Champaign today (not, of course, that I have felt it for myself, as I'm afraid to let in the cold air and never get warm again). Everyone here is hoping their furnaces keep kicking for the duration and fervently instructing one another to "stay warm." 

In honor of the occasion and because I definitely don't have anything else to do (ha), I thought it might be interesting to do a little investigation into the history of notably cold weather in these parts, using a nifty little database called the Illinois Digital Newspaper Collections. I wanted to see the papers in the immediate vicinity, to link as closely as possible the weather of today to other past Big Cold Days , and see if there was anything useful for a class assignment that might come out of this sort of investigation. The great thing about this collection is that, unlike many library resources I use to do research, it's free to use for anyone without any sort of login, so follow along if you'd like! 

As I settled in I ran into an interesting little research problem. There were four collections involved in this project: the Illinois Digital Newspaper Collection, which has the local papers I was hoping to examine; Farm, Field, and Fireside, which holds agricultural papers from around the country; American Popular Entertainment, full of entertainment industry trade journals; and Collegiate Chronicle, students newspapers from a wide variety of postsecondary institutions. I'm sure these last three all have something to say about weather, but I wanted to know only about the closest regions' papers, so I needed to look only at the first collection. I could browse through titles in each of these collections, but the search didn't seem to let me narrow to a collection-- I could choose to confine the search to one or more paper titles (though only more than one if they were next to each other in the alphabetical list), so I just compared the list from here to the list of options here and searched within a few that looked promising. 

I decided the word "coldest" was the most likely candidate to look for in the papers I examined-- The Champaign Daily News, the Daily Illini, and the Urbana Daily Courier. Below are a few favorites-- all titles link to the originals, with PDFs available of the full issues. 

Amongst two pages of reporting on a tragic 1903 theatre fire in Chicago, this brief article adds a bit of levity. D.C. Long, a local Civil War Veteran who appears a few other times in the Urbana paper, claims that exactly forty years ago was the coldest in the history of the nation, with animals killed by the chill. "I don't know what the thermometer registered, but it was cold, I know that," he concluded. 

"Cold Forty Years Ago Today," Urbana Daily Courier, Jan. 1, 1904.

These stories appeared a page apart in a 1929 issue of the Daily Illini. I like the focus in each on the role of the "weather man"-- the AP reporter accords him a lot of power! 

"Brrr! Thermometer Dropped to 8 Below Yesterday Morning" and
"Weather Man Has Touch of Kindness," Daily Illini, Dec. 4, 1929. 

This 1959 report of an unusually cold November features a student giving a far better demonstration of proper scarf usage than her modern counterpart distributed by the University of Illinois yesterday. 

"Winter Hits Area Before It's Due," Daily Illini, Nov. 18, 1959. 

It was a lot of fun sorting through these sources. I'll likely find a way to incorporate a similar activity into a history course, especially one on media or an intro to historical methods. The benefit is similar to unstructured research time, with more of a defined, if small, endgoal-- to figure out some connection to a modern event in the past. It's a nice practice run before students jump into trying to find sources for a large research project, with lots of directions to run in and few ways to really fail. It could also lead into a discussion of shifts and continuities in how the topic is discussed in the press-- how have we been informed about the current weather as compared to those informed of cold weather in the past, for example? How do the headlines present the story? 


Related Links: 
Some comparisons of recent stories on the Big Cold Day: Daily Illini, News-Gazette. And, if you're hungry, the modern Urbana Daily Courier. 

Some historical Illinois Weather Trivia for January. 

If you'd like to see more old newspapers freely available, check out Chronicling America at the Library of Congress, which features more varieties of newspaper than you can shake a stick at.

Enough About Me: The Age of Resolutions

Happy New Year, and happy new semester! It's been great to have a little time to reflect on and recuperate from the fall. 

Old-fashioned classroom with wooden desks and attached benches. Teaching goal for a future year: Have a class here.

I'm not teaching this semester, which is a peculiar sort of joy. I love thinking about teaching when I'm not currently doing it, because everything is in the future; I can get any idea or learn about any resource and have the opportunity to put it into a future plan in a way I rarely have time to consider when I'm actually in the midst of a course. It gives me more space to devote to planning and making connections. To fill some part of this space, I have a few teaching-related goals for the year: 

Finish the Graduate Teacher Certificate through the Center for Innovation in Teaching & Learning.

For some time I've been slowly working toward pursuing this certificate. The Graduate Teacher Certificate requires two semesters of teaching, as well as an observation and discussion with a CITL representative or a faculty member, some participation in teaching workshops, and conducting and reflecting on student evaluations. After completing the observation with History's Graduate Teaching Mentor Dana Rabin, and receiving both informal early feedback and end of semester ICES forms from students in fall, all I need to do to complete the first certificate is to fine-tune my written reflections on observation and evaluation of my teaching this semester. 

Start on the Teacher Scholar Certificate. 

The Teacher Scholar Certificate is a step above the Graduate Teacher Certificate, and is available to both graduate and faculty instructors. It requires an extra semester of teaching, some form of departmental or disciplinary service, and more extensive written reflections on pedagogy, service, and teaching philosophy. I'm looking forward to working on this-- it's a nice thing to put on a curriculum vitae, but pursuing these certificates has also given me permission to invest time in learning more about teaching. 

Go to two teaching workshops, lectures, or discussion groups.

I think I've mentioned before that when I'm stuck in my writing, going to a lecture or other event, even if unrelated to what I do, can be hugely helpful. It leads me to consider my own evidence or argument in new ways, learn something about structure from the choices the presenter has made, or just spend an hour learning something without trying to fit it into what I'm currently trying to do. Going to teaching related events could be similarly helpful for current writing and future plans; moreover, it may also allow me to make connections with other folks interested in talking about teaching.

Invest time in current teaching conversations and scholarship.

The other goals are pretty specific; this one is a more general intention to realign some habits of thought around what I read and write. Many of the things I find most helpful when teaching is looking backwards at when I was a student. It's no surprise that my dissertation continually comes back to people acting and forming their priorities out of their own lived experience; I'm already interested in the many ways this can be fruitful in everyday life. As one must be a student before one can be a teacher, it's often a helpful way to think about this relationship. Yet there's also a huge world out there about the scholarship of teaching and learning, and writing about ways to grapple with teaching, and it's wasteful to ignore the resources and strategy it can provide. I want to pick up more books about designing assignments, strategizing objectives, and communicating expectations this year. 


Here's my challenge to you-- are there any teaching or learning related goals that you've wanted an excuse to explore? Consider this an offer of permission to value those things enough to try them this year.

Current Project: Connecting Nonprofit and Charitable Labor Then and Now

The idea that nonprofits are a highly sought-after but problematic place to work has been at the corners of my consciousness for a while, but I had never fully appreciated the historical continuity of these issues before delving into my own research. Along the way, I've encountered a variety of materials in which charitable organizations presented negative portrayals of their own workers due to existing labor disputes or the mere potential that workers might demand better treatment. Though this is not the main point of my project, it does present enough interesting connections to the present that I wanted to draw them out a bit here.

To work for a certain sort of nonprofit is often a way for one to ally their personal or political commitments with their career-- to work towards a social dream while also working towards a paycheck. Yet as good as this sounds-- or as good as the goals of an organization based on helping, giving, and changing society can be-- the idea of these organizations as the best possible solutions to social problems has also been challenged. The group INCITE!, for example, in their collection The Revolution Will Not Be Funded: Beyond the Non-Profit Industrial Complex, presents critiques of the goals of these organizations as mere sustainers and beneficiaries of social inequality, and usurpers of the momentum of grassroots movements.

Moreover, these organizations aren't always good to their workers, expecting long hours for low pay with a cheerful countenance fueled by one's passion for the work. This can lead to implicit or explicit inequities in selection for such positions; for example, a person who doesn't have the family support to take a very low-paying but status building job, or the recent case in which a federal program that funds workers in temporary community service positions engaged in discriminatory hiring practices, rescinding offers after demanding disclosure of medical information. Moreover, they can be actively antagonistic to organizing-- it took Planned Parenthood of the Rocky Mountains months to cease fighting to prevent their workers from organizing.

As the introductory essay to the INCITE! collection hints, many of the problems with nonprofits' impact and their relationships with clients are rooted in the origins of the nonprofit industrial complex, which stem from the tax evasion and wealth accumulation of Gilded Age aristocrats as well as Progressive Era tendencies toward approaching reform as an individualized, controlled, and hierarchized project. (Indeed, what American problem doesn't have links to one or both of these? But I digress.) In my research on disabled children in the early to mid twentieth century US, I often examine sources from the perspective of Progressive-minded social workers and philanthropists, who saw their roles as being improvers of the race, and thus passed judgment on their clients with abandon in both public and private records. Linda Gordon's Heroes of their Own Lives: The Politics and History of Family Violence and Pitied But Not Entitled: Single Mothers and the History of Welfare are great secondary resources for getting a sense of this rhetoric (these links offer some interesting reviews of both).

I was oddly unaware, however, that tensions existed between workers and management within charitable organizations before the late twentieth century, perhaps due to my uninformed assumptions that these were largely made up of volunteers. My trip to Minnesota's Social Welfare History Archive was the first on which I really noticed the anti-labor sentiment of some of the private charity organizations. 

Several of these were affiliates of Christian churches or denominations, and relied on religious sentiment to critique workers' interest in higher pay and better benefits. The Lutheran Orphan's Friend, for example, reported on recent staff turnover by narrating a brief cautionary tale: "Word once reached us that one of our workers ventured the opinion that if we all got together, they could all get more. She got out. How can such a person serve Christ at a place like this!" The very idea of organizing with coworkers was not only troublesome to management; it also indicated that such a person did not understand the mission of the organization or even Christian charity itself. 

Other organizations dropped the religious emphasis, but kept the anti-organizing sentiment. The superintendent of Sheltering Arms, a convalescent hospital in Minneapolis, noted that their concern was financial. In an item slipped at the very end of her Report for September of 1947, Superintendent Josephine Poehler noted, "Sheltering Arms is included in the Twin City Hospital Council's meetings regarding the nurses' demands, which will result in UNION tactics on the part of nurses and higher salaries. We will do everything possible to keep costs down!" This drama continues throughout several months of reports, though I have not had the chance to look more deeply into the outcome of the nurses' bargaining.

There is, of course, an irony to all of this. Why would people who set out to provide aid to others have no interest in providing compensation to their own employees? I see this in part as a weird side effect of the professionalizing of expertise, particularly medical expertise, in these sorts of institutions. The charitable model is in some ways built on the idea of free labor, on volunteerism for no reward other than the satisfaction of doing the right thing. However, if your organization was going to keep up with the times, you needed to include professional experts, and many of these trained experts wouldn't labor for free. Some doctors volunteered their visits, but nurses were needed consistently, not on a "pop in when you have time" sort of basis; they were also not earning wages high enough at any position to allow them to do things on a voluntary basis at other hospitals. Despite this reality, I suspect that those in charge of these organizations resented the idea that anyone would not only demand payment, but fair compensation for work that they felt should be volunteered in the spirit of charity. (This was likely a particularly acute issue at Sheltering Arms, which had spent sixty years as an orphanage before moving into the medical arena in 1943 in response to increasing concern about poliomyelitis.) These qualms are not dissimilar from modern arguments about one's lack of commitment to a cause or organization if not willing to work free overtime, be on call at all hours, or accept wages below the poverty line.

Although these cases are both from the 1940s, these tensions precede the midcentury era. Upon seeing the sources discussed above, I reflected anew on a source I'd already seen, some organizational documents from the Blanche Van Leuven Browne Hospital-School in Detroit in the 1910s. Blanche Van Leuven Browne, a polio survivor who opened a home for "crippled children" based on her own experiences of disability, demanded quite a bit of investment from the nursing staff she hired. Perhaps the first list item of her employee policy is the best example: "Absolute, unquestioning loyalty and obedience." Of course, Browne's position is a bit more complicated-- it's likely that her demand for respect was in direct response to the difficulty she faced having her expertise taken seriously, as her qualifications were based in having been a disabled child rather than a medical professional. I plan on exploring these tensions in greater detail as my project develops.

These sorts of connections are interesting, of course, but I think they're also a useful thing to highlight in comprehending our own career choices in the modern world. The problems that many of my students will face in choosing their career trajectories, particularly if they want to choose careers in charitable, nonprofit, or other professions associated with "service" or "helping", will have echoes of these tensions. Often historical context reveals to us just how long problems have been happening. This can crush our hopes that things will just get better on their own, but it can also spark us to critique and to action on our own behalf. 

Any suggested readings on the history of labor and philanthropy/charity, the rise of the

nonprofit, and the relationship between these things and governmental social welfare programs? Any themes or incidents seem familiar to you as a volunteer, a worker, or a client? Let me know in comments!

Thanks to the amazing folks who helped with sources and encouragement for this post in response to-- you guessed it-- an Internet Ask. Special H/T to Greg Butchello and Caitlin Dryke for their source suggestions.

Archival Citations: 

Lutheran Orphan's Friend, Oct. 1941. Social Welfare History Archives, University of Minnesota.

Superintendent's Report, Sheltering Arms, Sept. 1947 . Board Minutes 1943-47, Box 1. Sheltering Arms Records, 1882-1983, SW-95. Social Welfare History Archives, University of Minnesota.

Blanche Van Leuven Browne, "Policy of Van Leuven Browne Regarding Employees 1917 Dec." Box 1, Folder 8. Blanche Van Leuven Browne Papers, 2017039 Aa 2.  Bentley Historical Library, University of Michigan.

Blog Note: This will be my last post of the year-- thanks for sticking by me through 2018. If you have favorite posts, items you'd like me to revisit, or themes of the year that you've noticed, I'd love to hear about them. Otherwise, I'll see you all in the new year!